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Reezy DuZ IT (Interview with TEE REEZY)

Whatup Tee Reezy?

Whats good...

You’ve been putting it down for awhile now. How did you get started in the music business?

I started goin to the studio @ my cousin Tim's.(Producer Tim Hill) Tim started liking my music & he introduced me to Hillside Clique. I then released Lincolns and Lacs as a single. I gained a great street buzz and hit em with my debut "Fast Life" on IN DA TRUNK RECORDS.

Who have been some of your musical influences?

Some of my earliest influences were Too $hort, 2PAC, 8ball & MJG, UGK, Hot Boys

How would you describe your sound?

I guess as Pimp C would say "Country Rap Tunes".

How many releases have you had? What were their names?

Let's see: FAST LIFE, 615 VILLIANZ, SLOW GRIND, ITS DAT HARD & a few unreleased mixtapes

What’s going on currently with the 615 Villainz and the Tennessee Bad Boys? Who were the members?

The 615 Villianz consisted of myself, Celle, Clusta, Ric Dawg, and K-Fletch... TN Bad Boys was myself, Black Folk Inc. of Chatt., Crysis the Rhyme Don, and Q ball of East TN. We still communicate, but everyone is working on their own thing. As far as the 615 Villianz we all basically grew up together. A new Villianz project isn't out of the question.

What other artists have you collaborated with?

Quanie Cash, Skinny Pimp, Roam Bad Daddy, $n@ke, Lady Dolla, Nina Ross, Mr. Mack, Kool Daddy Fresh, Livin Legend, T Menace, Roach Killa, Slim, Dirty Tony, DonnieCross Axtion & Slug Veezy and more.

Were you signed with Pure Pain (home of Camouflage & Roam) at one time?

Technically, I was never signed to Pure Pain. They just showed love and showed interest in me. I still have alot of respect for them & what they were doing. I was always going back and forth to Savannah, GA to record for some of their releases and even my own. I basically represented the PURE PAIN MOVEMENT.

Now you have also done some acting correct? Can you tell us more about that?

Yea. I had a role in Quanie Cash' movie "Loyalty & Respect". It was a great experience for me and I plan on doing more acting in the future.

You’re known all over the south, what cities have shown you the most love?

Of course Nashville & Moneyboro. (Jackson, TN), Knoxville, Northern Miss., (Jackson, MS), Chattanooga, (Savannah, GA), & Alabama

What projects are you currently working on?

I'm currently working on a project titled "REEZY DUZ IT". Stay tuned for that release on IN DA TRUNK/MONEY BOI MUZIC.

Do you have any dream collaborations?

Probably Nicki Minaj, Gucci Mane, Keisha Cole, & Pharell to name a few.

Where do you see yourself in 5 years?

With the way the music industry has been going, good question. Truthfully, I would love to be doing more acting. But new opportunities present themselves everyday. We'll see...

How can people get more information on you?

(Go to reverbnation.com/teereezy), (twitter.com/darealteereezy), (facebook @ Moneyboi Muzic), & (myspace.com/teereezy).

Any shoutouts you want to give?

Shot out to the MBT Movement. To everybody doin they thang with this muzic sh!t. And to anyone who has ever supported me, I truly appreciate it.

LOGO

Legendary Producer Tim Hill

Interview with Legendary Producer, Tim Hill

What Up Tim?

Hey, Wassup Man.

Can you tell us how did you got started in Music Production? How long ago?

I had an interest in music at a very early age. I remember placing my toy gun to my lips humming in it like I was playing a trumpet…Lol. Later on in 7th/8th Grade I started playing trumpet and continued playing in High School but that didn't satisfy my thirst to do music. I got with two friends, (Paul Caruthers & Bill Puckett) and we formed a group called "Digital Force". It was a unique combination of three rappers. Paul was the Dj , I played keyboard and programmed the drums live on stage. Bill was the primary MC but we all rapped. It grew from a hip hop band to a legit business. We were asked to Dj or perform at parties, pep rallies, homecoming dances, college parties…etc. When it really became serious, we started to DJ at Smyrna Skate Center packing it out every Sunday. After that group faded away, I really started turning into who I was going to be with the ability to play multiple instruments, Dj, run sound equipment, and most importantly learning business skills. It was no longer a hobby, so I got a factory job, worked for 6 years, bought my studio equipment and when I started making more money in the studio than at my job, it was time to retire from that and do music full time.

You are also known as the Kamillian, Can you explain the reason behind that for us?

When I was serious about my rap career I studied different forms of rap styles. When we performed, sometimes for a gimmick the Dj would start a record with the original vocalist then quickly fade in the instrumental. I would amaze the crowd with my imitation of other well known MC's. As a producer, I recorded "LOTS" of groups so I was asked to do lots of features with East Coast, West Coast and South groups. I morphed into that character. I even sung choruses. I chose Kamillian cause I could adapt in all territories.

Who are some of your musical influences? What Producers inspired you?

Dr. Dre. I loved his West Coast Swing and his mixes were crazy. Roger Troutman. His use of the vocoder and his ability to create some of the most legendary funk grooves impacted me the most!!!!

Phil Collins. I loved his "BIG" Miami sound. He is the reason I make huge sounding tracks.

Teddy Riley. New Jack Swing. Need I say more?

What is your opinion on software (reason,Fruity) vs hardwares (MPC,Keyboards,etc)? Which do you prefer?

I have nothing against any program. Some people like Xbox, some like Playstation, while some go all the way back to Atari. It all depends on which fits you better. If you find your creativity is lacking because you're spending more time twisting knobs, lots of your ideas will be lost so its worth spending time in different scenarios to find out what fits "You" better. Personally, I prefer MPC's, Keyboards and Turntables.

Do you play any instruments?

Yes. Piano, rhodes, organ, keyboard, (anything with keys). Trumpet, drums, vocoder, turntables and I'm currently learning guitar and bass.

What's your creative process like? How long does it take you to create a beat?

That depends on what I'm asked to do. I'm a Producer so I vibe with the artist to feel their vibe that day. What type of song: hype, krunk, heart felt, deep. sad, etc. Before any music is created I really want to know in depth what the artist is trying to do.

Making a beat can be done in minutes. Maybe more when I'm searching for specific sounds, but making a "Record" depends on the style of music or composition your trying to create. Is it a loop? A sample track could take all day pitch shifting, time stretching, placing the sample(s) in that sweet spot. There may be more time needed if an artist wants a track with more of a "Live" experience. You don't have to play an instrument to create a track. You could instruct band members to create what's in your mind, so I really can't give you an exact time. I am known for quick tracks.

Do you normally work with the artists or make beats and let them choose?

I prefer making the track with them so its more of a custom made experience. I occasionally work on a library for people to listen to, but thats rare.

What sets you apart from other producers?

I think its a combination of things. Selection of sounds, engineering, turntable tricks, and most of all, the variety of styles I've researched. Music is forever changing and I like to keep you guessing who made that track or what was on my mind when I made that.

Do you feel there's a difference between producers and beatmakers?

A beat maker is simply that. A person who makes beats. A producer is a visionary that oversees the song or project from start to finish.

Who are some of the artist you have worked with? On what projects can we hear you?

Now thats the fun part. Being an engineer, I had the chance to make beats or record lots of Artists. Some of them are, Bun B, 8 Ball, MJG, Pastor Troy, Phene, Bubba Sparks, Kia Shine, Juvenile, BG, Haystak, Bone Crusher, Bushwick Bill, ( I produced "No Surrender, No retreat), Smoke from Field Mob, Young Buck, Bone Crusher, Shannon Sanders, Curtis Blow, Gangsta Boo, Slim from 112, Yo Gotti and others. I've submitted tracks to many artists. That list is too big to name. My list of local groups is huge! The south has really held me down.

What has been your biggest moment in your career so far?

I really enjoyed doing the project with Bushwick. It was a turning point in my career.

What artists would you love to work with, do you have any dream collabos?

Not really. I just want to keep moving forward. I believe I've got a bright future ahead.

What is your opinion on the current Rap Music that's out?

I don't like it. I know you've got to have some gimmick songs, but where's the Real? Only a few still have real topics and music.

Name a few artists you think are the next to blow.

I wish I knew. Music is unpredictable right now.

Where would you like to be career-wise in 5 years?

I would love to have a team of individuals with different abilities that have their mind focused to the same direction without jealousy, self motives, hate free. If not , I'll keep doing me!!!!

Thanks Man, Any shoutouts you want to give?

God most of all for blessing me with this musical Talent.

My Parents for helping me in countless ways & also having faith in me

Im definitely Giving shout outs to each & everyone thats Done the "music" thang with me

without you, There would be no me…….

Last but not least. "YOU" for giving me this opportunity to do this interview

Much Love

MBT on ReverbNation

List Will Be Updated Constantly (Post Links also if somebody not listed)

Tee Reezy http://www.reverbnation.com/teereezy

Slug Veezy http://www.reverbnation.com/slugveezy

Slug Veezy & Jrg http://www.reverbnation.com/slugveezyjrg

Axtion http://www.reverbnation.com/axtion

Ha Himself http://www.reverbnation.com/hahimself

Celle http://www.reverbnation.com/celle

Clusta http://www.reverbnation.com/clusta

Dice Game "JollyGreen" http://www.reverbnation.com/gee3789

Mac Makka http://www.reverbnation.com/macmakka

Phelony (Celle and T-Menace) http://www.reverbnation.com/phelonycelletmenace

T-Menace http://www.reverbnation.com/tmenace

Rantastik www.reverbnation.com/rantastik

Southern Grind Tv episode 1

Interview with Future Platinum Producer: Kenny B

What Up Kenny B, can you tell the readers where you're from?

Wadup world!!! I was born and raised in Nashville, out south to be exact but really I lived in every part of the city. I moved to (MBT)Murfreesboro my second semester of my 8^th grade year. At the time, I got accepted to a magnet school for the arts, but my parents wanted me to move to Murfreesboro so I could get a different perspective other than the city life. After I graduated high school I moved back though.

How did you get started in Music Production? How long ago?

Really, I’ve always been into music and I’m heavily influenced by it on both my mom and pops side of the fam. My pops played trumpet at TSU, and literally everybody on my moms side of the family either plays an instrument or sings, rap, etc. During middle school, I played xylophone, snare, and bass drum in the band at Rose Park. I got into producing music during my freshman year in high school when I met another producer from the boro, Hoodbeatz a.k.a. Seth Hood. Since then I’ve been doing it for 8 years strong.

Who are some of your musical influences? What Producers inspired you?

Growing up, my moms would play me and my brother a wide variety of music. I’m heavily influenced by the Funkadelics-Parliament, Dr. Dre when the Chronic came out, Pac, Snoop, 8 Ball & MJG, Hypnotize Minds. I could go on and on, but these were the cats that I grew up to during the 90’s. As far as producers, DJ Toomp, Shawty Redd, Dr. Dre, Bangladesh, just to name a few. These cats have they own sound and I somewhat follow what they do in order to develop my own sound but at the same time be diverse. It’s nothing like producing a track and watching people’s faces when they find out that you’re the one that made that track, because people already have a preset in their head of what your material may sound like.

What is your opinion on software (reason,Fruity) vs hardwares (MPC,Keyboards,etc)? Which do you prefer?

If you can blend both, that’ll be the best move. What I will say is that hardware has a more robust sound than software because software runs off the CPU of a computer vs. hardware has its own memory and CPU made specifically for it. And unless you have the right audio interface to make software sound good, you’re pretty much settling for less. Like me for example, before I got into production I use to do art and knew how to develop websites by code back when the internet was sort of new. So I’ve always had an in-depth understanding about computer technology. When I started producing, I knew how to blend software and hardware to get that unique sound. Me personally, my arsenal of tools is Reason, Roland Fantom, Yamaha Motif, & Pro Tools to blend all of those together. I’ve always wanted an MPC, but I found out how to make my music groove and sequence as if I was on one through Pro Tools. When I first started, I was using Fruity Tracks which is the predecessor to FruityLoops, a blend of samples I had on one of my external HDD, and a MIDI hookup. Then I went to Cubase & Nuendo and then to the set-up I’m on now.

Do you play any instruments?

I don’t play any fluently like I use to back in middle school (xylophone, snare, and bass drum), but I can play anything by ear. I can still read music (although I need a little practice) and I know the notes.

What's your creative process like? How long does it take you to create a beat?

When I make a track, I’m trying to portray a story and to get you to SEE the music. Usually I’ll already have an idea in my head and have the track made in my head before I record it. I strategically put certain instruments in certain parts of the track to catch people’s ears so they could single out any instrument out of the whole mix if they were listening to the music critically. Depending on the mood I’m in and how in-depth I want to go into making a track, it may take me 15 minutes to nearly 3 hours.

Do you normally work with the artists or make beats and let them choose?

Really I just go in the studio and do me. I may take heed to what type of track a person may want but ultimately, if I conform solely to what an artist wants it kills my mood. I’d rather have a HDD full of tracks done so the artist can pick so I can have an idea of the sound an artist is looking for from me than work with an artist, unless me and the artist creatively are vibing. Now I can say that in some situations, I may have to work with several artist at one time in which that calls for me to make a track on the spot.

What sets you apart from other producers?

What sets me apart is more or less my sound and how I mix my tracks and my business sense. A lot of producers use the same equipment just in a different way. I take it a step further by having as much creative input and mixing my own music. Another thing is sound selection. I try to make tracks that touch you in a way that’ll make you move or at least have you wondering, “Who made that track?” Another thing is the business sense, because I’m not too much concerned with up-front money unless we’re doing an exclusive deal. I’d rather let the music speak for itself.

Do you have a crew or production company?

Currently, me and my brother Chris G. own a music publishing company called KBCG Music Publishing. I’ve been in talks with my old partner Hoodbeatz to start another publishing company named Trak Motivataz which was our former name during the time when we was doing a lot of projects for Block 2 Block and Bloccwork Ent. As you know, I had produced 5 songs on Roach Killa’s DJ Dutty Laundry mixtape including the one with Webbie called Blockwork. I also did a lot of tracks for Dirty Boy Tony on his K.O.M.B. mixtape as well as the compilation CD which featured all tracks produced by me. Also I had 4 tracks on V.O.’s Ridin High Sittin High mixtape as well. Like I said that was during the time we went under the alias Trak Motivataz.

Do you feel there's a difference between producers and beatmakers?

There’s a difference. A producer is creatively involved with the whole process as well as involved with the promotion & business aspect of it. Not only that, but a producer should be able to record, mix, & master. A beatmaker more or less just makes the beat and its on to the next one.

Who are some of the artist you have worked with? On what projects can we hear you?

Roach Killa DJ Dutty Laundry Hood Classic Vol.1- “Fuck Being Broke”, “The Original Hold Up”, “What It Is What It Ain’t”, “Sittin On Chrome”, “Blockwork ft. Webbie”

Dirty Boy Tony K.O.M.B.- “Stacks On Deck”, “Watcha Talkn Bout”, “She Choosin”

Dirty Boy Tony Singles- “Hold Da Crown”, “Young Gunna”, “Lookn Good”, “Bitch Nigga”

V.O. Ridin High Sittin High- “You Don’t Want None ft. CP Da Don”, “You Thuggn ft. Gutta Boy Gotti”, “Started Wit A Gram ft. Hi-C”, and another one with Gutta Boy Gotti feat on it but I can’t remember the name of the song.

Trak Motivataz Compilation/Block 2 Block- All tracks (20 to 21 tracks)

Chris G. Good Music Pt.1- All Tracks (12 Tracks)

Z-Class (formerly Zilla Da Felon) King Of Da F-Lane- All Tracks (15-16 Total)

Z-Class Hello World Mixtape- “Hello World”, “Deep In Da South”, “Bust Her Berry”, “I Apologize”, “When Ya Rich”, “Freak”, “Don’t Get It Confused”, basically all the tracks that aren’t mixtape instrumentals

Z-Class- “Momma RIP”, “Blood Money”

Axtion Year Of The Underdog- “Pull Up”

Playa C Welcome To Stuntland- “99 Problems”

Dough Good Welcome 2 Tennessee- “Blame It On The Paper”, “Wat U Need”, “Lil Mama (Stacks)”

Felonious Records Presents It’s Bizzness And It’s Personal- Young Hogg & KC feat. Big Booom- “You Can Get Served”

MoneyMakers the Movie Soundtrack- Young Hogg & KC “Getcha Gwop Up”

Lil Stunt- “Play 2 Win”

I have more across other states but I can’t necessarily name all of em. I’ll have to get back to you on the other ones.

What has been your biggest moment in your career so far?

Really anytime an artist that I’ve worked with releases a project that I’m involved in is basically a big moment. One would be when Webbie was featured on my track because I was a Sophomore in High School when that happened. The biggest one so far though is the track I done for Felonious Records’ Young Hogg & KC feat. Big Booom- “You Can Get Served”. That track was picked up on a lot of radio markets.

What artists would you love to work with, do you have any dream collabos?

I really don’t have any dream collabos. I just love working. Maybe Jeezy or Dr. Dre.

What is your opinion on the current Rap Music that's out?

It’s not exclusive like it use to be and I think that’s what’s needed or otherwise the industry will turn the Rap industry into a Pop industry. I think cats need to stop releasing so much material and get back to making it exclusive so people can have something to look forward to when they go to the limited stores out here and buy CDs. Another thing too is that these projects that cats are coming out with aren’t getting the reception that the labels planned, because a person can’t just buy a CD and ride to the whole CD no more because of the quality of music cats is putting out. More and more albums are starting to sound like mixtapes or commercial music. I think the rap industry seriously needs to get back to putting out music that people can look forward to, not these Pop records.

Name a few artists you think are the next to blow

Any artist that sticks to it. I can’t name specifically because many end up quitting before getting started. So any artist that sticks to it through the rough times and the good in my book are the ones that are going to make it.

Where would you like to be career-wise in 5 years?

I want to make music for movies as well as get as many placements on Clearchannel & Viacom. In 5 years I should be up for a Grammy and have multi-platinum records that I’ve produced. I also want to do a lot of work in the hood and put cats in impoverished areas up on the corporate game so that instead of these cats being on the street, these cats will be in downtown corporate buildings with suits on talking to investment bankers. That’s the tip I’m on. In 5 years I’ll be Global.

Thanks Man, Any shoutouts you want to give?

Appreciate you. Shout-out to Ca$hville my home town. Shout-out to MBT my home away from home. And shout-out to all the cats that I’ve worked with and continue to work with as well as all those out there that are pursuing your dreams. Never quit and always give back to those that helped get you in the position of success. And LEARN THIS INDUSTRY if you want to be a part of it.

How can people get more info on you?

Tell em hit me on facebook/kenmybarnes, call me 6156680975, send me an email to killamusiq@gmail.com, look me up on CoreDJRadio website, twitter coming soon, and of course myspace/blockwork06

DYVERSITY "F.O.B."

K-Fletch "Hard in the Paint"

Axtion "Rubberband Money"

Ha Himself "Off That"

Swaderboy Interview

Swaderboy, what’s up man, introduce yourself to all the readers out there who haven’t heard of Swaderboy?

Well for those that don’t know me I go by Swader Boy, and I been an underground artist from Tennessee since 99.

How did you get the name Swaderboy?

Well since I was little I was always call that Swader (last name) boy, but my first stage name was Cane aka Lil’Ripper, and I feel like that wasn’t a name that I wanted long term so I went with Swader Boy!

Where are you from?

I was born in (MBT) Murfreesboro, TN. My stomping ground is Walter Hill, TN not to far from Murfreesboro

How long have you been doing your thing?

I been doing music off and on for about 10 or 12 years.

Who are some of your musical influences?

Some of my Musical influences are all kinds of Rap, R&B, Reggae, and Soul.

Describe your sound

My sound of now is like a little aggressive and blunt right now. Over time I believe it will have more moderate flow

Who would you compare your music to? What makes you different?

I couldn’t compare my music to anyone. The one thing I learn in this business is that no one is same! Similar characteristics maybe, but not the same! A lot say I got characteristics like Pastor Troy, Lil’ Ru, Archie, Drama, etc. What makes me different is that I’m not them and I can never them, but they do influence me to step my game up every chance I get.

How many releases have you had? What were the name(s)?

The very first release I had was in 1999. It was call Smoking Weed and Black & Milds, and it was only release within Murfreesboro range. I started collaborating with Busta Free Entertainment with Clusta. Then I joined up with Slug Veezy (formally known as Stacy Mac) with O.T.C. (Off the Chain) Entertainment and we Dropped O.T.C. vol. 1! Around that same time I collaborated with Manopoly Records and had a track with JRG the Future’s cd, (The Future) and later Block Work Entertainment on Dirty Boy Tony’s cd, (K.O.M.B.T.) and Block 2 Block Entertainment’s cd (The Block Movement).

What are you working on currently? What can we expect from you in the near future?

I’m currently working on this MBT Movement and my first solo mixtape that’s untitled at the moment. For the near future you can expect my first solo mixtape release and more collaboration with more artists.

What producers and/or artists would you most like to work with in the future?

Producers I would love to work with are Tim Hill, Mouse on Track, Zaytoven and Southside. Artists I would like to work with are Collie Buddz, Mya, Shannon Sanders and Lil Phat.

Where do you see yourself in 5 years?

In 5 years I see myself still working hard on my craft and traveling from city to city.

Alright Swaderboy thanks for your time, Any Shoutouts You want to give?

Shout to my MBT Family and everyone that’s supporting this Movement!

How can people get more info about you?

I will soon have a new page on Facebook, Myspace and Twitter for further research on your boy Swader Boy!

Slug Veezy Interview

MBT Movement: Slug V, what’s up man, introduce yourself to all the readers out there who haven’t heard of Slug Veezy?

Slug Veezy: Yeah ok, this is slug v aka stacy mac reppin mbt and otc. Off the chain ent.

How did you get the name Slug Veezy?

Several years ago we formed a rap group called armed and dangerous, and as we were listing the members, my partner, swaderboy realized he didn’t know what to call me, so he just put slug on the flyer we were making. And it kinda stuck with me. The veezy was added because my last name is Vaughn so I just combined the two.

How long have you been doing your thing?

Been singing since I could talk, been writing since I could spell, even before then lol.

Who are some of your musical influences?

My mother was in a band called the harmony gales, that’s where most of my influences come from.

My brother (Clusta) taught me a lot, other artist would be tupac,Outkast, Goodie Mob, dave Hollister, Eminem, dru hill

Describe your sound

Unique mixture of soul/hiphop. My sound really cant be compared to anyone.

What makes you different?

The quality. I can sing a love ballad and/or write a gangsta rap track, and they both will be among the best you will ever hear

How many releases have you had? What were the name(s)?

I dropped Off The Chain Volume 1 in 2004. Before that I worked with my brother Clusta on his "Diamond N the Rough" Cd. And also produced majority of Come Up Move Volume 3 from Manopoly Records

What are you working on currently?

Slug Veezy solo album “ Trynna get it” Slug Veezy and JRG “The Future is off tha Chain”

What artists have you collaborated with?

Clusta, roach killa, JRG, Big Fella and Tearthur, Axtion, Swaderboy, Shadow G, Big Q, Tee Reezy, Lil mama, V.O.

What producers and/or artists would you most like to work with in the future?

Tim hill (Local Super Producer from MBT)

Where do you see yourself in 5 years?

In five years I see myself doin tours across the globe, and king of the south.

Alright Slug thanks for your time, Any Shoutouts You want to give?

Manop fam

How can people get more info about you?

Myspace.com/slug veezy or just google me baby.

Are you building a fanbase or just performing?

Really quick thought provoker:

Really think about it.

Are you building a fan base or just performing?

Do you know your Target Market? The people that want what you have?

Are you working on your Live Show skills?

In local scenes there are usually 2 scenes: There are the artists that perform for potential fans and established fan bases and there are artists that are “basically” playing for other artists. The ideal show is well promoted on Social Networks and with physical promotions like samplers and flyers. There are about 3 to 4 acts performing max. The un-ideal shows are were there are upwards of 10 acts performing back to back. Promoters usually throw these together and make money charging for performance slots. The exception would be Talent Shows or Showcases were people are expecting to see 10 acts. The next time you perform at a show with 5 or more acts, network in the crowd. Find out who is who. Now you need to do this at all your shows, but this is an experiment. When you do those shows with 5 or more acts you will come to find out that at least 85% of the crowd are either artists themselves or friends and family of the artists. Now you can win over friends and family and the other 15% of the crowd to be potential fans and networking with other artists is always good, but if you really want to build a fan base don’t you think you need to start getting in front of a larger number of potential fans. This is just a little to think about. Also if you perform week after week for the same crowds of people, don’t you think its about time you branch out, try different cities and different venues? Just a little food for thought.

MBT MOVEMENT MISSION

The MBT Movement is a coalition of the artists, labels, entertainers,etc. in MBT (Murfreesboro,Tn) for the ultimate goal of creating more success for the city as a whole.

MBT Movement was founded to aide and assist the aspiring musicians, writers, producers,etc. in reaching their goals and full productivity.

Some of the artists that people outside of MBT (murfreesboro, tn) may be familiar with are GVC, Slug Veezy, Tee Reazy, JRG, Manopoly , Block Boyz, Roach Killa, Axtion.

MBT is 30 Minutes east of Cashville...
We will be posting informational articles, as well as Music, Interviews, Videos, etc... Stay Tuned